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| Date: |
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| Artist: |
Pieter Brugel
the Elder |
| Print
Sculpture: |
Winter
Landscape with a Bird Trap |
| Art
Vocabulary: |
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| I |
The
Artist: Pieter Bruegel the Elder |
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Pieter
Bruegel (1525-69) usually known as Pieter Brugel the Elder to
distinguish him from his elder son, was the first in a family of Flemish
painters. He is generally considered the greatest Flemish painter of
the 16th century, and was the foremost member of a European movement that
used the Tower of Babel regularly in their work. He spelled
his name Bruegel until 1559, and his sons retained the
"h" in the spelling of their names (Brueghel). |
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He was
probably born in Breda in the Duchy of Brabant, now in The
Netherlands. Accepted as a master in the Antwerp painters' guild
in 1551, he was apprenticed to Coecke van Aelst, a leading Antwerp
artist, sculptor, architect, and designer of tapestry and stained
glass. Bruegel traveled to Italy in 1551 or 1552, completing
a number of paintings, mostly landscapes, there. |
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Returning
home in 1553, he settled in Antwerp but ten years later moved permanently
to Brussels. He married van Aelst's daughter Mayken,
in 1563, the same year that he painted two depictions of Babel:
The 'Little' Tower of Babel
and the Tower of Babel.
Brugel had visited Rome and based his Tower of Babel on the Coliseum.
He painted the tower as an immense structure occupying almost the entire
picture space, with tiny figures rendered in perfect detail, going about
their daily business. The top floors of the tower are bright red,
whereas the rest of the brickwork has already started to weather. |
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Bruegel
developed an original style that uniformly holds narrative meaning.
His subject matter ranged widely, from conventional Biblical scenes and
parables of Christ to mythological portrayals such as Landscape
with the Fall of Icarus; religious allegories in the style of Hieronymus
Bosch; and social satires. But it was in nature that he found
his greatest inspiration. His mountain landscapes have few parallels
in European art, and have remained consistently popular. |
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André
Parrot [The Tower of Babel, Delachaux et Niestlé, 1954]
reports that more than seven thousand people are represented on the
30"x24" canvas of the second Tower of Babel painting. On
the same scale as those figures, he points out, "the tower must have
risen to a height of some 300 yards!" |
| II |
The
Painting: Winter Landscape
with a Bird Trap |
| III |
Artist's
Materials or Techniques |
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Bruegel
was a Landscape Painter. |
| IV |
Students'
Self-Expression: Guided Activity |
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No
information available. |
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